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Blount...displays his pleasure in words with his subtitle—"The Energies, Gists, and Spirits of Letters, Words, and Combinations Thereof; Their Roots, Bones, Innards, Piths, Pips, and Secret Parts, Tinctures, Tonics, and Essences; with Examples of Their Usage Foul and Savory"—as he dishes up an alphabetical array of "verbal reverberations," weasel words and linguistic acrobatics from "aardvark" to "zoology" ("Pronounced zo-ology. Not zoo-ology. Look at the letters. Count the o's"). Along the way, he compares dictionaries, slings slang, digs for roots, posts ripostes and dotes on anecdotes. The format is nearly identical to Roy Copperud's still valuable but out-of-print A Dictionary of Usage and Style (1964). Blount's book is equally instructive and scholarly, but is also injected with a full dose of word play on steroids. Quotes, quips, euphemisms, rhymes and rhythms, literary references ("Lo-lee-ta") and puns: "The lowest form of wit, it used to be said, but that was before Ann Coulter." Throughout, the usage advice is sage and also fun, since the writer's own wild wit, while bent and Blount, is razor sharp.
Booklist: Ever since Lynn Truss' Eats, Shoots and Leaves: The Zero Tolerance Approach to Punctuation took the 2004 best-seller lists by storm, publishers have been casting about for their next dark-horse language book. Farrar may have found it in Blount's latest title. Much more garrulous than Truss, a shameless namedropper, and a purveyor of endless anecdotes always casting himself in the starring role, Blount is supremely entertaining here and more than matches Truss' spirited tone. Laid out in A–Z dictionary format, the book ranges from the pointed critique of conjunction dysfunction to the hilarious diatribe under tump, which finds Blount spending weeks looking for his own name in the new edition of American Heritage Dictionary. Feeling that he is long overdue to be cited for word usage, Blount envies "Hunter Thompson for booger, Jimmy Breslin for boozehound, and William Safire for hoohah." He is, however willing to concede snob to Tom Wolfe. Although some entries are only tangentially connected to his ostensible subject (see TV, on being on), many others provide Blount with ample opportunity to wax eloquent on the joys of language; his perfect parsing of the allure of the phrase "wonky exegeses" will elicit smiles from fellow language lovers. A knowledgeable handbook that is also chock-full of funny, colorful opinions on marriage, movies, and Monet. Long Time Leaving: "Roy
Blount is so funny, and he sounds like he's just talking, and the next
thing you know he has tossed off On
Feet on the Street: Rambles Around New Orleans: "Blount writes a superb simple declarative sentence. But he'll follow that with a sentence that even a Hall of Fame English teacher, equipped with fresh chalk and a full blackboard, would struggle to diagram. And it won't just hold together, this sentence. It'll be a standing ovation-worthy performance, full of music, irony and felicitous juxtaposition, yet not short shrifting in ideas and information. It'll sound like the Deep South and the Upper West Side, but in good, not illegitimate child or pretentious, ways... America's most diverting writer takes on America's most diverting city." -- The Charlotte Observer. Robert E. Lee: "Robert
E. Lee's hard to deal with'...but in this little gem of a book Blount
has done it about as imaginatively, about as memorably, and about as
well as anyone has done -- southerner or not, and historian or not --
in years." "This
vibrant introduction goes a long way toward softening the image of that
stony icon of the Confederacy, Robert E. Lee. Blount bravely
reckons with the Marble Man, consulting works that draw out Lee's 'feminine
side' to humanize his portrait....Blount's handling of Lee's lonely
childhood is surprisingly moving.... Blount's is the only writing on
Lee this reviewer has encountered that makes one feel real sympathy
for the general--a feeling the author smartly keeps from bleeding over
into affection for any Lost Cause ideology." --Library Journal "This
outstanding volume is the latest entry in the Penguin Lives series,
which allows distinguished authors to select a person about whom they
are curious and then write a short, synthetic account that will inform
the general reader and specialist alike. Blount's graceful narrative
reflects the author's wide reading of and mature reflection on the standard
biographies of Lee. The result is a miniature masterpiece." --Bookpage. "Witty, lively and wholly fascinating." --New York Times Book Review The Main Stream
"The Weisberg-Blount sojourn provides equal time for the serious, the odd, the crass and the sentimental" --The New York Times "It's
a delight - funny, observant and downright anthropological in its "Blount's great talent, apart from writing, is that he's comfortable chewing the fat with just about anybody - especially folks who might actually call conversing chewing the fat." --Newsday "The two-hour film celebrates American eccentricity and features people and towns whose beliefs and lifestyles fall outside mainstream culture." --The Washington Post "Blount has empathy for everyone, which makes this a joyous journey. Accompanied by picturesque photography and a nice variety of river-related songs he takes us on a delightful trip for all of the 2,552 miles." --The Indianapolis Star "While Blount's journey includes some compelling portraits of middle America, it is his natural attraction to the pockets of weirdness along the way (the backwaters, as he puts it) that become the most bracing moments in the documentary." --The Oregonian
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