Roy Blount Jr. is the author of twenty-four books, about everything from the first woman president of the United States (back in 1992), to what barnyard animals are thinking. Latest is Save Room for Pie, from Farrar, Straus and Giroux. Before that was Alphabetter Juice: The Joy of Text, now out in paperback from FSG. Before that was Hail, Hail Euphoria: Presenting the Marx Brothers in Duck Soup, from HarperCollins. The one before that, Alphabet Juice, was from Farrar, Straus, and Giroux. The one before that, Long Time Leaving: Dispatches From Up South (Knopf), won the 2007 nonfiction award from the New England Independent Booksellers Association; and AudioFile chose the audio version (HighBridge) as one of the year's top five books read by their authors. The one before that, Feet on the Street: Rambles Around New Orleans, "delivers the goods," according to The New York Times: "a wild, unpredictable ramble through a wild, unpredictable town."
He is a panelist on NPR's Wait, Wait...Don't Tell Me, ex-president of the Authors Guild, a member of PEN and the Fellowship of Southern Authors, a New York Public Library Literary Lion, a Boston Public Library Literary Light, a usage consultant to the American Heritage Dictionary, and an original member of the Rock Bottom Remainders. He comes from Decatur, Georgia and divides his time between western Massachusetts and New Orleans. In 2009 he received the Thomas Wolfe Award from the University of North Carolina. (see citation at http://http://englishcomplit.unc.edu/wolfe/general). In November he was inducted into the Georgia Writers Hall of Fame.
first book, about hanging out with the Pittsburgh Steelers, About
Three Bricks Shy...And the Load Filled Up, now available from
the University of Pittsburgh Press, was named one of the ten best
sports books ever by Jonathan Yardley of The Washington Post --and called, by Adam Gopnik in The New Yorker, "the
best of all books about pro football." Dwight Garner in the New York Times recently wrote that "this book isn't just a classic of American football writing but the classic of American football writing, and a book that deserves a place on the short shelf of the cracked masterpieces of New Journalism." He added that Blount was "once" (not anymore?) "the Randy Newman of American letters."
Mailer said of his second book, Crackers, "Page for page,
Roy Blount is as funny as anyone I've read in a long time," and Time placed Blount "in the tradition of the great curmudgeons
like H.L. Mencken and W.C. Fields." Garrison Keillor said in The Paris Review, "Blount is the best. He can be literate,
uncouth and soulful all in one sentence." Playboy said
he was "known to the critics as our next Mark Twain." Whether,
on the one hand, it is his place to quote these plaudits and whether,
on the other hand, he feels that they are adequate, are questions
not for him to answer at this time.
one-man show at the American Place Theatre was described by The
New Yorker as "the most humorous and engaging fifty minutes
in town"--which, when you stop to think how many fifty minutes
there are in New York at any given time, is something. In l988 he
expanded that show into Roy Blount's Happy Hour and a Half.
He has performed for Folk Tree Concerts and at Chet Atkins' Celebrity
Golf Tournament, and introduced Chet in Carnegie Hall. He has appeared on A Prarie Home Companion frequently and on CBS Morning Show, Tonight Show, David Letterman
Show, Good Morning America, Today Show, Larry King, Politically Incorrect, and in a series of TV spots for the NBA starring Bill Murray,
which he helped Murray create.
A contributing writer of The Oxford American, he writes a regular column for Garden and Gun, and
has done so in the past for Esquire, The New York Times, Atlanta Magazine,
Inside Sports, The Soho News, Men's Journal, Conde Nast Traveller,
The San Francisco Examiner, Spy and The Atlanta Journal. His essays,
articles, stories, verses and even drawings have appeared in 171 different
periodicals including The New Yorker, Gourmet, Playboy, Vanity Fair,
GQ, Life, TV Guide, Vogue, Rolling Stone, National Geographic, Antaeus,
Smithsonian and Organic Gardening; and in 221 books, including The
Best of Modern Humor, The Oxford Book of American Light Verse, The
Norton Book of Light Verse, The Ultimate Baseball Book, Classic Southern
Humor, Sudden Fiction, The Elvis Reader, Russell Baker's Book
of American Humor, Baseball: A Literary Anthology, The Sophisticated
Cat, The F-Word, and Best American Essays l997. This work
has taken him to China, Uganda, Iceland and every state but Alaska. He
has written introductions to books by Erskine Caldwell, A.J.Liebling,
Ernie Bushmiller Jr.and Phil Rizzuto, and to four different books
by Mark Twain--in particular extensive foreword and afterword accompanying
first book-form publication of Twain's story A Murder, a Mystery
and a Marriage (2001).
For Sports Illustrated, where he was a staff writer and associate editor 1968-75 and is now a Senior Special Contributor, he has rafted the Amazon (attacked by piranha), played baseball
with the 1969 Chicago Cubs (hit a ball 350 feet), become all but athletically
a virtual member of the dynasty-years Pittsburgh Steelers, and hung
out with Wilt Chamberlain, Yogi Berra, Reggie Jackson and the world's
oldest then-living lifeguard. (Though not all at once.)
has written the screenplay of Larger Than Life starring Bill
Murray, the lyrics of a song Andie MacDowell sings in Michael,
and an HBO fairy tale, The Frog Princess. Of his two one-act
plays produced at the Actors Theatre of Louisville, one became part
of an Off-Broadway review. In films he has portrayed a reporter, an
outraged grocery shopper and a partygoer dressed as Truman Capote;
on TV, a dim-witted talk-show caller and a Cuban soldier; on radio,
the Prodigal Son, Orpheus, a ship's captain named Blauggh, a foolish
virgin, Millard Fillmore and Thoreau. He has read or lectured at colleges
from Harvard to Clemson to Washington State; at the 92nd Street Y,
Symphony Space, Manhattan Theatre Club, Theatre for a New Audience,
San Francisco's City Arts and Lecture Series, the San Diego Forum
and the Mark Twain House. Journeyed down the Mississippi
River for the documentary The Main Stream, aired by PBS
in December '02. He appeared in a cameo in the first season of Treme.
covered the l992 Democratic and Republican conventions and Presidential
election night by commenting, live and instantaneously, from a Barcalounger,
on Comedy Central. Via various media he has reported on the Civil
Rights Movement, the Ku Klux Klan, Saturday Night Live in its
prime, Elvis's funeral, an Olympics and several World Series and Super
Bowls, and interviewed Martin Luther King, Willie Nelson, Ray Charles,
Satchell Paige, Joe Dimaggio, Willie Mays, Loretta Lynn, Eudora Welty,
Billy Carter, Gilda Radner, Casey Stengel, Jonathan Demme, Rep. Dick
Armey, Cool Papa Bell and Sally Rand. He has publicly expressed his
misgivings about every president since John F. Kennedy, with the exception,
for some reason, of Gerald Ford.
has jumped out of a plane, graduated (conditionally) from race-car
driving school, scuba-dived with sharks, sung on stage (as a member
of the authors' rock band Rock Bottom Remainders) with Bruce Springsteen
and Stephen King, hit a game-winning Texas Leaguer (and had limes
thrown at him) in Venezuela, caught catfish with his bare hands in
Illinois; and ridden a camel in Kenya, a dolphin in the Florida Keys,
an elephant in L.A.
l94l to Southern parents in Indianapolis. Grew up in Decatur, Georgia.
Vanderbilt B.A. '63, Phi Beta Kappa, magna cum laude; Harvard M.A.
'64. U.S. Army l964-66. Reporter and columnist for Atlanta Journal and part-time English instructor at Georgia State College, l966-68.
Free-lance since leaving SI in l975.
of painter Joan
Griswold, father of social worker daughter Ennis and director-writer-actor-songwriter
son Kirven (with whom he wrote and appeared in a five-minute film
on extreme sports for ESPN), grandfather of
of Jesse, Noah, Elsie and Amos. Only one companion animal at present, but he is an excellent one: Jimmy, the bayou volunteer cat.